Iiná Joe

In my time of dying, want nobody to mourn. All I want for you to do is take my body home. Well, well, well, so I can die easy.” – Led Zeppelin

“Cry, little sister! (Thou shalt not fall).” – Gerard McMahon

“This one goes out to Iiná Joe”, I say as I release the cued needle to play its art. “My Navajo little sister lost a lot today”, I say letting my voice override the magic of the first chords of finality. “From “Physical Graffiti”, I say, “Led Zeppelin, “In My Time of Dying“, I say. “Cry little sister”, I say.

Iiná Joe comes around, just as the August, sun has lost its crown, and it sets itself in message, in an altered degree, sending signs of mourning for all to see. And it spills out red across the sky, sending farewell tears to a million sighs. “That’s what makes me cry”, Iiná says to me, standing just my height, dressed in the color of her grief. It is a visit of timing it is a look without a word. As if in the world of symbols, we are the witness to the earth. Iiná Joe says, “I heard it, the song you said you’d play”. I say, “You mean “In My Time of Dying“, is that the meaning you wanted relayed”. She nods her head in the affirmative, and then we both look away, just a disc jockey and newly minted widow at the end of a funeral day. Standing in the foyer at KWYK, all the world is moving with us as actors on its stage.

Iiná Joe says, “The darkness falls upon us as it fell upon my man, as he drank his way from Gallup, into the desert and the sand.” “When they found him out near Sanostee with the cuts upon his face, he’d been sitting in his pickup truck for forty nights and forty days.” It grew very quiet between us as we thought about her words, the quiet that conveys meaning from our words to other worlds. Like the transmitters nearby us, cooling from their five thousand-wattage heat. We wandered through Iiná’s pain filled loss, looking for comfort to keep. And as a boy of seventeen with all my wishes draught unpaid. I was humbled by my friend’s sharing of the greatness of her loss, and the grieve it built and made.

Iiná Joe walks around, the darkened radio studio looking at me, with her eyes filled with amber tears, a reflection of a man she no longer see’s. “Will you play the song again”, she asks. “I think I’ll wait outside, the night is coming quickly, and the chindi is nearby.” “I would not have my man’s blackness upon you, as you do for me what’s kind.”

“This one goes out to Iiná Joe”, I say as I release the cued needle to play its art. “My Navajo big little sister lost a lot today”, I say letting my voice override the magic of the first chords of finality. “From “Physical Graffiti”, I say, “Led Zeppelin, “In My Time of Dying“, I say. “Cry little sister”, I say.

Iiná Joe went her way a few days ago. She passed into the darkness after the August sun had gone down, forty-one years to the day; she visited a seventeen-year-old disc jockey to make a special request. That seventeen-year-old disc jockey pictured above thanks her for the honor, those many years ago and wishes her G_D speed ahead. There is no more to cry for little sister. – 09.03.2019 – דָּנִיֵּאל

 

Midnight


“Once upon a midnight dreary, while I pondered weak and weary.” – Edgar Allan Poe

A voice cries before midnight, and he hears it as a “Hermit Thrush“, flute like, ethereal, rare for winter, rarer still before midnight. This is mystery.

The weaver comes to finish work, that is of his own hand, in the darkness from near Boat Mountain the seraphim walks so fast. Comes he to spin sounds past breathing, an instrument of the past. Dusk has fallen to its knees, and midnight is soon to pass. Dusk has fallen to its knees, and midnight is soon to pass.

He bathes before midnight, in a dream that’s of falling sand, like a curtain from lost ages, that last barrier to the promised land. With the whispers of angels that ask for his hand, bloodless in their quiet talk, they shimmer where they stand. They whisper with lyrics from the “Hurdy Gurdy Man“, derived now, while praying six stars to Neverland. He murmurs, he whispers, “I do think of fathoms of distances without end, sometimes before midnight, it scares me if I Am.” “How far up Jacob’s tree, to the mother that sews, the end of purpose, from my life of promise, here in the gardens of G_D’s shadowland. This rocky earth soothed by the blade in a farmer’s hand.”

The weaver moves like a danseur, counting a six-pronged display, the seal moves around the bowing angels, their inner eyes on display. Comes he to spin sounds past breathing, an instrument of the past. Dusk has fallen to its knees, and midnight is soon to pass. Dusk has fallen to its knees, and midnight is soon to pass.

He thinks of time like a battlefield, in life’s journey from end to end, all day breathing blood and fury, until the dusk arrives on wind. All his thought from his first day of wonder has been, a catalyst, a catalyst to this very end. All around his valley moves, his valley moves within. Sulfur Springs rising evening vapors, near Boat Mountain where life began. The soil cries out unto its maker, I cannot produce again. Minutes leading him from faith’s beginning toward midnight to turn again. Demarcation in a weakened body in a movement by a hand, pocket watch stopped at midnight in the crossing with no bends. Turning in his bed clothes, to begin all life again. Turning in his bed clothe, to begin all life again.

A voice cries after midnight. He does not hear it. It is a “Hermit Thrush”, flute like, ethereal, rare for winter, rarer still after midnight. This is mystery. – 10.10.2018 – דָנִיֵּאל

 

Thunderbolt & Lightfoot (1997)



“Hey. You stick with me kid. Your gonna live forever.” – Lightfoot

Thunderbolt says Lightfoot, lets on the range go, therefore unto heaven, in stars of Montana our ghost goes. And you can be like Eastwood priming, the preacher lessons told, I will look just like Mr. Bridges doing yoga on the road. We can star in pictures, with the high grass in our toes. Mr. Lightfoot, says Thunderbolt, we’re actors on the road. The evening is self-serving, the stars fall overhead, it could be new souls entering the universe, or the exit of the dead. The two they come together, sitting closely side by side, the front seat of a “73” Eldorado, with the “Big Skies” up ahead. Oh, my old friend, my dearest love says Thunderbolt, as he looks up above, for once in our lives, let two old queens enjoy the road ahead. I’ve dressed for you in long gone years, you painted your eyes to absorb hurt tears, and when we hit Montana, the burning will finally end.

Thunderbolt says Lightfoot, the shows we have staged within, the glowing purgatory, hallelujah, as the curtain would ascend. But now it seems a higher purpose, breaking harder on life’s final whim, the fire of something killing me, our last show must begin. My dear Mr. Lightfoot, Thunderbolt’s voice begins, we’ve just entered the gates of heaven, Montana, home, where your life began. Look beyond the script of the movie, your life a cycle spins. I know a fire burns in you, my love my dearest friend. The ghost of a thousand angels, is beyond that sunsets rim. Wait just a little longer till we reach “Wolf Creeks” bend. There’s a place in all dramatics, your life can come to end. And what I’ll do for your sweet memory, for all those folks that you have known. I’ll “Break it to them gently”, I’ll tell them that your home, I’ll tell them you’re the best lay this angel ever had.

Thunderbolt says Lightfoot, his smile a disappearing grin, if you would hand me a different cigar, like Mr. Bridges smoked in the end. Up above this mountain, this steep road, the sun is glowing but it’s midnight, on the watch in my head. The spell it is upon us, the final lines have been said, the fire of what kills cells inside me has left its ash instead. Oh, my old friend, my dearest love says Thunderbolt, as he looks up above, for once in our lives, let two old queens enjoy the road ahead. The silence is between them by moments, as the silence of the dead, as the silence of the dead.

For Angel & Bennie (Daniel 7:10) – 06.11.17 – דָּנִיֵּאל

Dusk (a·da·gio)

“It is dark, so very dark”, said Dante, “yet you fail to speak, and I would say it not impossible that what you’d have to say would not replace that disappearing light you still claim to see”.

So here we are at last, you and me, my reader and me, and it could be that as the night comes, it will be so hard to say, I see.  A darkness comes, like none before, a fortress that holds no shiny keys, and with these two feet, I walk ahead, blinder, no memory, save the elongated dusk my shattered mind, would allow to still be me.

A “Sound of Silence”, in D minor, still whatever does it mean, perhaps Paul and Art could enlighten me.  But still no difference does it make for here in the West, alone, so by myself do the dusk I see.  And if I write for the world what’s inside of me, how selfish would that be, indeed maybe I a narcissist to tell of this grief.

For their against that granite stone, that sky seeking temple of geology, weakens a sun in timidity.   And woe it says, what you have taken for belief.  This night cometh, indeed it rest here now for you with no reprieve, and you are singular, no better light, than your last memory.

“Did you come to walk with me”?  The words whispered, skyward, unaccompanied and in darkness do I breath.  Still, so still, only Dante resting cold inside me.  For now it is a rolling obscurity, that’s colder, then any wound that has ever bled me.  And it does not seem right that darkness, should belong alone, to the death of me.  For that last light, the one that loved me best, somewhere, to make eternity last, it dies with me.

“Perhaps I should go too” I hear Dante say, his words fading fast, for unlike the last light of day, I should not think that even with him inside, they will probably last.

*Authors note – Dante has been a fine muse. – 08.31.2016 – דָּנִיֵּאל

Red Cliffs (Absentia)

“The end of life is like a stage under red cliffs, except I’m absent”, he said, his words a mere gasp, his watery blue eyes staring nowhere.  “Who’s the cowboy”, I asked?  I was curious about the reference.  “Just some clown”, he whispered, and then repeated, “just some clown”.

I saw a mirror of my heart, it lay in a basket, underneath the red cliffs above the arid floor.  While all around me flew the dust of time, and I thought what was this meme meant for?  Far above on the ridge there was a cowboy, and he rode like a concrete stick toward the dawn.  And when he glanced beyond the red cliffs, he smiled, like he knew the devil owned the door.

There are times in this life when I feel absent, and those times it seems to me come more and more.  While I long for more attraction, that place of being, I knew before.  I know it seems like this is one big paradox, forever clinging to aloneness like it’s a shore.

For all around me minutes are passing, racing through my empty soul to reach its core.  And the red cliffs up above they seem cerebral, like a dying brain, can’t crumble anymore.

And absentia whirls around me, while I’m still breathing, and it curses anyone, who laughs or is a bore.  While the red cliffs shudder above my skinny frame, till I can’t remember how to breathe no more.  And those ridges up above, where that cowboy rides with no love, turn too steep to attempt to climb anymore.

For my mind births desolation, in it, prions come to feed, and when they jump for the last time, my contractions give pause to disaffect.  Under these red cliffs I see no reason, such bitterness, no content, and when I look upon that ridge one more time, no cowboy rides, just emptiness.

And then here I go, in a sunset glow, just laughter everywhere, red cliffs they disappear, and up and down, my lungs so full of oxygen, my breath, and absentia here I go, over the ridge to find my soul.

This is written for the absent, with minds consumed by Alzheimer’s, Dementia, or like my own dear father, with the watery blue eyes, Creutzfeldt-Jakob disease.  May they find their soul over that last ridge. – 08.10.2016 – דָּנִיֵּאל

 

Virginia Dale (Soaked)

She stood at forty-nine, just a sprite on the ninth of May. Well she stood like a banshee a bride denied, before the moths flew about colder still near the Wyoming blue, on the Colorado side. Just a ghost watching cars go by. My Missus looks over, says” it seems a little colder”, meanwhile Bruno Mar’s sings about his oh so selfish ways. I look and see the church at the Dale, the witch she pleads stay with me. I’d like to tell you as you read, I’d like to paint a picture of what I see. For the ancients from the highlands on the other side, those silent that only speak after they have died. Say they come and know the spirit as their soaked, as their soaked.

We drove on for a minute or two, I turn to her, “did you see her too”? She looks away and cry’s, the tears are so hard to find, for there at Virginia Dale, lightning falls, and tears the vale, of rocks and wind and trees. The spirits ascend and so do we. And driving on to the Forks, 287, turns from the North, and all of a sudden we look and we see the far end of heaven the host of banshee’s, crying out, you will never leave, and I know. I’m soaked to the bone, I’m left in a flood, of the ghost I see. For there in Virginia Dale, in the bow of the highlands, where heaven does dwell. For some say heaven’s gate, most would say have you had more enough then you can take. I look to the Missus and say, can we forsake. Life and all its monetary dreams. Can we stay here where Cantor’s can’t sing, and no religion dwells. Especially that church we saw in the Dale. And hallows will ring, and through the thin air we will fly and be soaked.

She stood at forty-nine, a siren, rhyming, where mountains do climb, and just by Virginia Dale, she soaked my soul, and she left my mind to dwell. I look to the Missus and see, she’s lost in a dream, and what hurts, is I can’t tell her I see, it all too well. Were lost and Soaked in the dark rim of rock that surrounds Virginia Dale. Eternity left with stories to tell, eternity left with stories to tell. (Soaked).

MF …lost his wife in a car accident outside the Virginia Dale, Colorado Church on Highway 287, Friday, May 9, 2014. It was raining. He died from complications from the physical injuries he sustained from the automobile accident one week later. He claimed he saw and heard his missus, as he passed before his Rabbi’s eyes, and his final word was soaked. – 07.10.2016 – דָּנִיֵּאל

Integrity (Orlando)

It seems the nights upon us, far past what was morn, when gunshots rang out, and now the mother’s morn. And I would not be so crass to say what is left or right, but for this dark, this oh so dark, I will pray with all my might, for integrity.

Integrity it finds a soul in not what is new or bold. Across the electrical currents of media, it’s not bound up and sold. And if you think that it is found in left or right your political goals, your deluded in your ideology stop reading go back to your soul. I ask myself a question, when I pray at night, do I say please protect me, from my enemies I think aren’t right. Or is a better prayer said, Oh HaShem you are as is, from back beyond primordial to the time of future tense. Would now as all the world swims round me everything so tense, where there is both good and bad, and there is ego spent. Will you come down to this desert, life that’s ever spent. Will you fall like reigning fire and right the spirit bent? Will now oh legend all who worships, dark and light, crescent. Arced upon the grave and life the world that we pervade. Will you in all the storms of tatters, liars, norms and depths, in deathly faces.  Will you for those who think wrong and right, stifle their mad matter, let them think with insight, in integrity.

A warrior, you said, a warrior makes right, here in hard deserts where the wind blows with right, and all around me caters to wolves and the sheep, all around me fortresses of thought and deceit. And G_d of many ancients, Adonai oh Ruach of leads, Shekinah of  my dreams, you who with your breath makes Orion and the seven stars, come so still, bring them now still.  Come unto the willing, those in pain without creed, those who here tonight, care not of ideology. Make now a potion, of your right and left, send now a matter to those with no heart left. Fill now a prayer not against enemies, take this spell higher to integrity. When this all is over, make death even less, make no one with thought, think their right or left.

It seems the nights upon us, far past what was morn, when gunshots rang out, and now the mother’s morn. And I would not be so crass to say what is left or right, but for this dark, this oh so dark, I will pray with all my might for integrity.

Psalms 25:21 – 06.13.2016 – דָּנִיֵּאל

Horsetooth (04.20.2000)


For when my daddy went it was of angels, through the great divide that’s bent, over Horsetooth rock, they sailed and no one knew. For it was with G-Ds own energy, that he went a child within his glee, and he passed his spirit laughing from our view.

I’d like to say that he was my captain, I’d like to say he was a tougher sort of man, all I know is that the veil was opened for what he knew. They came sweeping without conscience, apocalyptic celebration, to perform G_Ds choice of view.

There was a shudder felt last night, around the windows the wind so light. Came an apprehensive sort of feeling when things aren’t right. Said one spirit to the next, can we fly inward at 6:00 take his soul, no one is watching, they’ll just think he went. Though one might think that this is done, that a gentle man died under sun, that’s not true, that’s not the way he went on through. For according to us on site, his family that watched that night, from all of us at 12:31 came a different view.

I’d like to say that he was my captain, I’d like to say he was a tougher sort of man, all I know is that the veil was opened for what he knew. They came sweeping without conscience, apocalyptic celebration, to perform G_Ds choice of view.

So it was around the appointed time, the skies did open where a star refused to shine, for it was a pathway for wings of ancient blue. And they flew enamored with him, knowing his vestige was with them true, came they through the passage of the rocks they knew. For Horsetooth opened to them, gave them rock burns on their lack of foreskins, brought them down to escort a gentle fellow through.

And we watched him sail away of angels, through that portal new, Horsetooth split Precambrian waiting for these angels to come through. Of angels, without cause of death or torture, he lived life no one knew, and it could be such a gentleman reached G_D without a clue, for she liked him for his spirit that harbored love only Jack knew.

For when my daddy went it was of angels, through the great divide that’s bent, over Horsetooth rock, they sailed and no one knew. For it was with G-Ds own energy, that he went a child within his glee, and he passed his spirit laughing from our view.

My Dad passed away on April 20, 2000 at 12:31. When he left, it was of angels, trees scraping the side of house with complaint, and the wind rolled down from Horsetooth rock, and simply took his spirit away. – 04.20.2016 – דָּנִיֵּאל

When Children Sleep (Stairs)


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When children sleep, be they ninety or forty-five, a staircase descends from hereafter. And oft they go to the places where hearts sow, seeds of pictures of real that last forever. When weary eyes close, after years that come and go, and the bells do toll for what we’re after. Just a piece of morning sky, maybe slurping apple pie, while the flagship asks us to surrender. Give it all on up aw shucks, such a pleasant form of luck, to be a child again, and know such laughter. For twinkling lights oh how, they cast the night aloud, and its time oh my mate, to pull the lever. When the staircase comes, releasing one by one for fun, for the cause, for the flight, oh what a shiver. Do re me fa so led, up the scale, while wrinkles fell, to cast it all away what endeavor.

When children sleep, and take a peek before they wink, and their eyelids close, how clever. For what they see are the treats, permission oh how neat, climbing up into the rafters with no effort. And though they may be fifteen, twenty-two, or eighty-three, suddenly their slack lining through the Neverland, of their best dreamed of, neighborhood. It would not really surprise me to find that some who’ve gone, and climbed one at a time, wish that they would return to try… it one more time. For yes you see its grand, to see the secrets where angels stand, while music played you can be what you’re after.

When children sleep, requiem it sounds unique, not at all so sad or so dreary. And sometimes drums do play, to lead the parade away, and up the stairs they go, Jacobs ladder opens so, like a womb of a kind and pretty mother. Would it ever be any other way, could it be planned with a different… none will know until they go to sleep, then in surprise and what a treat…sandman says go to sleep, it’s time to know no need…

When children sleep. – 03.31.2016 – דָּנִיֵּאל

At 3:00 AM (On Death)


At 3:00 A.M. there’s whispers there, such secrets crawling some unseen stair, and when I awake and look outside, fully expecting to see dreads eye, and it’s not there, no it’s not there. At 3:00 A.M. I watch her sleep my sweetest angel, of love’s known keep, and sometimes not to be rude or weird I touch the small lobe of her ear. I breath with her, while rhythm’s sleep, in an unconscious keep, I whisper rare, my voice so deep, I’m going to that window there, the one with glass that often stares, I’m going to look outside and then in spirit I’m going to leap.  It’s time to fly.

At 3:00 A.M. I’ve heard it said that witches dance and Satan winks, it’s that time when sages say the whole world has gone to sleep. I would not know if this is true, I’d dare to think it might be could. Oh well, oh well, whatever comes I’m awake well before the dawn. My skin so cool to touch the glass to look upwards and see the pass, to see footprints of daemons past, those good ones too, but oh those bad. Those sprites that chase the star known charts that bring my body into the dark, at 3:00 A.M. to know such joy, of dreams that come to pass, not forward and not past. Just here, all around this shiny sphere. I don’t want to go back, no, I don’t want to go back.

At 3:00 A.M. for nights on end, it’s like a passage that never ends, my eyes outward so old and black but inward sailing my soul does last. And on to thus fairy land of dust, an original place where G-D brings us, and in the prayer at 3:00 A.M. right out of my clothes, and all of my skin, I fly to places filled with love, imagine all of this for us, a wonder land when first we jump, when no one’s looking, and there’s no fuss.

At 3:00 A.M. there’s whispers there, such secrets crawling some unseen stair, and when I awake and look outside, fully expecting to see dreads eye, and it’s not there, no it’s not there, then at 3:00 A.M. my breath will stop and I’ll learn to fly. – 0315.2016 – דָּנִיֵּאל